( p.s. i have a exposition at VAV Concordia Gallery 5 January)
Démarche: Interroger le monde hypermoderne dans lequel on vit et tenter de briser l'hyperindividualisme et lanonymat de la grande ville. En allant dans des Non-lieux (métro, centre commercial, rue passante à lheure de pointe) et en demandant à des étrangers de les prendre en photo, je brise pour quelques instants le fonctionnement habituel de ce monde hypermoderne. Je rend ces Non-lieux existants en y créant un événement dont létranger va se souvenir.
Approach to photography: Questioning the hypermodern world in which we are living and trying to break this hyper-individualism and the anonymity of the big city. By going into Non-lieux (no existing places) (subways, malls, and crowded streets at rush hours and by talking to people to take photos, I break the usual way this hyper-modern world works for a few instants. I make real these non-lieux by creating an event that the stranger will remember.
First of all, it is a very nice picture. Compliments.
I shall try to be as clear as possible by listing the ''goods'' and the ''bads''.
Good; The focus on the man's face is brilliant and technically superb. The daylight on the man's head makes some nice colours and the green of his coat comes out better. The place where you took the picture, is very nice as well. The backgroundcolours are not interrupting your meaning of this picture, they even make the picture better and more interesting to look at. The viewer really asks himself at what kind of place this photo is taken. The rain on the man's glasses gives the photo an extra impulse; it suggest's that the rain just stopped a moment ago.
''Bad'': I do not feel the emotions of this man. And, if I understand your way of working well, it is your purpose to catch those. The man looks into the camera but I cannot see if he likes it, or not. Is he a happy man? I can't see it. He just looks. And I know, it is damn difficult to catch emotions from a stranger. But, for example, when you made a joke just before making the picture, you would have a totally different picture. You would see the emotions of that man, even these emotions were created by you.
Because of the ''absence'' of a clear emotion, I think the impact of this photograph isn't as big as it could have been.
I hope you understand this is a minor flaw, it isn't a ''mistake'' or something.
Hopefully, you're happy with this critique and can you do something with it.
serious, thoughtful and intriguing ... I love the photos of strangers ... usually difficult to persuade them to pose, or rather a few moments "do not pose" a left himself an outsider, a stranger, in their thoughts and without poses .. all managed here ... he was a little nervous, can not even trust this black eye of the lens ... differences focus on the eyes and slightly to the wrinkles around the mouth. It could be a little lower aperture for DOF less dramatic, but it does not interfere and generally conveys the mood. Excellent misty background, does not prevent focus on the portrait . I really like the whole short story that I see here. Thank you for sharing...
I like this closer shot better than the other of the same man. In fact I think it's one of the better ones you've done. I'm not having any difficulty interpreting his expression. We all bring different backgrounds and "personal baggage" along when we view art. (or do anything else for that matter) Superb work sir, Bravo.
I shall try to be as clear as possible by listing the ''goods'' and the ''bads''.
Good; The focus on the man's face is brilliant and technically superb. The daylight on the man's head makes some nice colours and the green of his coat comes out better. The place where you took the picture, is very nice as well. The backgroundcolours are not interrupting your meaning of this picture, they even make the picture better and more interesting to look at. The viewer really asks himself at what kind of place this photo is taken. The rain on the man's glasses gives the photo an extra impulse; it suggest's that the rain just stopped a moment ago.
''Bad'': I do not feel the emotions of this man. And, if I understand your way of working well, it is your purpose to catch those. The man looks into the camera but I cannot see if he likes it, or not. Is he a happy man? I can't see it. He just looks. And I know, it is damn difficult to catch emotions from a stranger.
But, for example, when you made a joke just before making the picture, you would have a totally different picture. You would see the emotions of that man, even these emotions were created by you.
Because of the ''absence'' of a clear emotion, I think the impact of this photograph isn't as big as it could have been.
I hope you understand this is a minor flaw, it isn't a ''mistake'' or something.
Hopefully, you're happy with this critique and can you do something with it.
Greetings,
Maarten
I love the photos of strangers ...
usually difficult to persuade them to pose, or rather a few moments "do not pose" a left himself an outsider, a stranger, in their thoughts and without poses ..
all managed here ...
he was a little nervous, can not even trust this black eye of the lens ...
differences focus on the eyes and slightly to the wrinkles around the mouth. It could be a little lower aperture for DOF less dramatic, but it does not interfere and generally conveys the mood.
Excellent misty background, does not prevent focus on the portrait .
I really like the whole short story that I see here.
Thank you for sharing...
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"No matter how cleverly you sneak up on a mirror, your reflection always looks you straight in the eye."
How do you achieve that good lighting in malls subways and streets?
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Please have a look at my gallery!
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now: might-be-sami !!!
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Tafkag
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The camera never lies, so Abode gave us Photoshop.
as always good work!
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W. Blake
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